Friday, July 29, 2016

Book Trailer Blast! SCAPEGOAT by Emilio Corsetti III


We're happy to be hosting Emilio Corsetti III's SCAPEGOAT Book Trailer Blast today!  Please leave a comment to let him know you stopped by!


About the Book:


Title: Scapegoat: A Flight Crew’s Journey from Heroes to Villians to Redemption
Author: Emilio Corsetti
Publisher: Odyssey Publishing, LLC
Pages: 472
Genre: Nonfiction Narrative

"This is the kind of case the Board has never had to deal with-a head-on collision between the credibility of a flight crew versus the airworthiness of the aircraft." NTSB Investigator-in-Charge Leslie Dean Kampschror

On April 4, 1979, a Boeing 727 with 82 passengers and a crew of 7 rolled over and plummeted from an altitude of 39,000 feet to within seconds of crashing were it not for the crew's actions to save the plane. The cause of the unexplained dive was the subject of one of the longest NTSB investigations at that time.

While the crew's efforts to save TWA 841 were initially hailed as heroic, that all changed when safety inspectors found twenty-one minutes of the thirty-minute cockpit voice recorder tape blank. The captain of the flight, Harvey "Hoot" Gibson, subsequently came under suspicion for deliberately erasing the tape in an effort to hide incriminating evidence. The voice recorder was never evaluated for any deficiencies.

From that moment on, the investigation was focused on the crew to the exclusion of all other evidence. It was an investigation based on rumors, innuendos, and speculation. Eventually the NTSB, despite sworn testimony to the contrary, blamed the crew for the incident by having improperly manipulated the controls, leading to the dive.

This is the story of an NTSB investigation gone awry and one pilot's decades-long battle to clear his name.

Scapegoat: A Flight Crew’s Journey from Heroes to Villains to Redemption is available at Amazon and B&N.

Book Excerpt:

When TWA 841 departed JFK on April 4, 1979, no one onboard had any idea of the drama that would soon unfold. One passenger, travelling with her husband, wrote in a journal about the smooth takeoff. She had been keeping a personal journal of her travels to share with her children on her return. She documented everything down to the most inconsequential detail such as her ears popping as the aircraft climbed. Days, weeks, and years later, after TWA 841 had become the subject of one of the longest NTSB investigations in the agency’s history, investigators would scrutinize every minute of the flight in a similarly detailed manner. Much like a criminal investigation, the movements, actions, and whereabouts of each crew member were documented. Routine tasks such as when and where the meal trays were exchanged between the cockpit and cabin crew would take on added significance. Unraveling the mystery of TWA 841 was a monumental puzzle that needed to be solved. But unlike any accident investigation before or since, the same evidence investigators would use against the crew would be used by others to challenge the theories put forth by Boeing and the NTSB. Readers can draw their own conclusions as to which version is correct.

About the Author


Emilio Corsetti III is a professional pilot and author. Emilio has written for both regional and national publications including the Chicago Tribune, Multimedia Producer, and Professional Pilot magazine. Emilio is the author of the book 35 Miles From Shore: The Ditching and Rescue of ALM Flight 980. The upcoming book Scapegoat: A Flight Crew's Journey from Heroes to Villains to Redemption tells the true story of an airline crew wrongly blamed for causing a near-fatal accident and the captain's decades-long battle to clear his name. Emilio is a graduate of St. Louis University. He and his wife Lynn reside in Dallas, TX.
For More Information

Wednesday, July 27, 2016

Baseball's Dynasties and the Players Who Built Them Book Blast!


We're happy to be hosting Jonathan Weeks' BASEBALL'S DYNASTIES AND THE PLAYERS WHO BUILT THEM Book Blast today!


About the Book:


Title: Baseball’s Dynasties and the Players Who Built Them
Author: Jonathan Weeks
Publisher: Rowan and Littlefield
Pages: 408
Genre: Sports History

Baseball has had its fair share of one-and-out champions, but few clubs have dominated the sport for any great length of time. Given the level of competition and the expansive length of the season, it is a remarkable accomplishment for a team to make multiple World Series appearances in a short timespan. From the Baltimore Orioles of the 1800s who would go to any length to win—including physically accosting opponents—to the 1934 Cardinals known as the “Gashouse Gang” for their rough tactics and determination, and on to George Steinbrenner’s dominant Yankees of the late twentieth century, baseball’s greatest teams somehow found a way to win year after year.

Spanning three centuries of the game, Baseball’s Dynasties and the Players Who Built Them examines twenty-two of baseball’s most iconic teams. Each chapter not only chronicles the club’s era of supremacy, but also provides an in-depth look at the players who helped make their teams great. Nearly two hundred player profiles are included, featuring such well-known stars as Joe DiMaggio, Jackie Robinson, Sandy Koufax, and Pete Rose, as well as players who were perhaps overshadowed by their teammates but were nonetheless vital to their team’s reign, such as Pepper Martin, Allie Reynolds, and George Foster.

With a concluding chapter that profiles the clubs that were on the cusp of greatness, Baseball’s Dynasties and the Players Who Built Them is a fascinating survey of what makes some teams dominate year after year while others get only a small taste of glory before falling to the wayside. Written in a lively style with amusing anecdotes and colorful quotes, this comprehensive book will be of interest to all fans and historians of baseball.

For More Information

  • Baseball’s Dynasties and the Players Who Built Them is available at Amazon.
  • Pick up your copy at Barnes & Noble.
Book Excerpt:

With a roster full of superstars, the Orioles captured three straight pennants from 1894–1896. They followed with a pair of near misses, placing second in 1897 and 1898. Along the way, they developed a reputation as one of the nastiest teams in baseball. John Heydler, an umpire who would later ascend to the NL presidency, described the Orioles of the 1890s as “mean, vicious, ready at any time to maim a rival player or an umpire.” Infielder John McGraw was proud of that distinction. “We’d go tearing into a bag with flying spikes as though with murderous intent,” he boasted. “We were a cocky, swashbuckling crew and wanted everybody to know it.”
Pirates great Honus Wagner manufactured a tall tale about a harrowing trip around the bases against the Orioles. After driving a ball deep into the outfield, he claimed to have been tripped at first base by Jack Doyle and then knocked flat by Hughie Jennings at second. Climbing to his feet, he lumbered toward third, only to find John McGraw holding a shotgun on him. “You stop right there!” McGraw allegedly bellowed. Although Wagner’s story is obviously apocryphal, numerous reliable accounts confirm the fact that the Orioles resorted to underhanded tactics regularly. When they weren’t physically accosting opponents, they were treating them to streams of verbal abuse. Baltimore players were so free in their use of profanity that a resolution was adopted in 1898, imposing mandatory expulsions upon anyone using “villainously foul” language.
Even the groundskeepers at Baltimore were deceitful. Soap flakes were mixed with the soil around the pitcher’s mound to make the hands of opposing hurlers slippery when they reached into the dirt.  Orioles moundsmen knew to keep untainted soil in their pockets. The infield was mixed with clay and rarely watered, creating a surface not unlike cement. Baltimore players chopped down on the ball, creating dramatically high hops that gave them a head start to first base (hence, the origin of the term Baltimore chop). The outfield was ruddy and riddled with weeds. Outfielders allegedly kept extra balls hidden out there in the event that the ones in play eluded them.


About the Author


Weeks spent most of his life in the Capital District area of New York. He earned a degree in psychology from SUNY Albany. In 2004, he migrated to Malone, NY. He continues to gripe about the frigid winter temperatures to the present day. A member of the Society for American Baseball Research, he writes about the game because he lacked the skill to play it professionally. He still can't hit a curve ball or lay off the high heat. Baseball’s Dynasties is his fourth nonfiction work.
For More Information
 

Tuesday, July 26, 2016

Interview with Elan Golomb, author of Unloved Again

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Inside the Book:

Unloved Again

Title: Unloved Again 
Author: Elan Golomb 
Publisher: iUniverse 
Genre: Psychology 
Format: Ebook/Paperback

Love can be hell. It is not an accident which moves us to love the wrong person or to hate the right one, over and over again.

Most of us remain unaware of how to escape this perpetual cycle of bad relationships.

 • Do you continually fall for the wrong person?
 • Do you find yourself driving the right person away?
 • Do your relationships quickly switch from blissful to tortured?
 • Do you criticize unreasonably or find yourself being criticized disproportionally?

 In Unloved Again, Dr. Elan Golomb identifies the crux of emotional and psychological problems which underlie love's repeated failures. Only in addressing these deep-seated issues can one escape the dance of romantic folly. With this book you will uncover the secret to enjoying a happy and lasting love life.

THE INTERVIEW:

Do you have a daily writing routine?

I never turn off the computer. Often I wake up at 4AM with an idea.

Where do you do most of your writing?

Mostly in my home surrounded by books and plants, but also wherever there is a computer.

Where did you grow up? Can you tell us a little about it?

I grew up in Brooklyn. Raised by hermit types who liked to lead, I did not join in with the other kids on the block. Was excited by my country cabin.

What is your motto in life/writing?

Don't give up. Eventually you will shed that skin of false belonging and become your beautiful self.

What inspired you to write your book?

At first it was because I was told to write it, a very poor reason. Then it took on a life of its own and turned into a discovery.

Meet the Author:
Elan Golomb earned her doctorate in clinical psychology and her certificate in psychoanalysis and psychotherapy from New York University. She has been in private practice in New York since 1972. She is also the author of Trapped in the Mirror: Adult Children of Narcissistic Parents in Their Struggle for Self.

Tuesday, July 19, 2016

Guest Post from Emre Gurgen, author of Don Quixote Explained

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Inside the Book:

Don Quixote Explained

Title: Don Quixote Explained Author: Emre Gurgen Publisher: AuthorHouse Genre: Literary Criticism Format: Ebook/Paperback

  Don Quixote Explained focuses on seven topics: how Sancho Panza refines into a good governor through a series of jokes that turn earnest; how Cervantes satirizes religious extremism in Don Quixote by taking aim at the Holy Roman Catholic Church; how Don Quixote and Sancho Panza check-and-balance one another’s excesses by having opposite identities; how Cervantes refines Spanish farm girls by transforming Aldonza Lorenzo into Dulcinea; how outlaws like Roque Guinart and Gines Pasamonte can avoid criminality and why; how Cervantes establishes inter-religional harmony by having a Christian translator, on the one hand, and a Muslim narrator, on the other; and lastly, how Cervantes replaces a medieval view of love and marriage―where a woman is a housekeeper, lust-satisfier, and child begetter―with a modern view of equalitarian marriage typified by a joining of desires and a merger of personalities.

"AN ERUDITE EXAMINATION OF THE THEMES AND IDEAS IN DON QUIXOTE. I THOROUGHLY ENJOYED THE WRITING AND EXPOSITION OF THIS WELL-REASONED CRITIQUE. BUY IT AND STUDY IT. GERALD J. DAVIS, AUTHOR OF DON QUIXOTE, THE NEW TRANSLATION BY GERALD J. DAVIS" WWW.DON-QUIXOTE-EXPLAINED.COM

The Benefits of Agent Representation
Though it is possible to win a contract with a traditional publisher without a literary agent, if you are professionally represented, your chance of securing a book deal greatly increases
If you represent yourself to publishers.  If you eagerly mail unsolicited query letters directly to a publisher the likely outcome is that these houses will place your letter directly in a slush pile, often times unread, never to be looked at again. If you are extremely lucky, however, and somebody does read your letter, this person is usually a novice reader, a student just out of college, who rarely knows what they are doing.  Though, perhaps, intelligent, this person is extremely untested.  Thus, they read your query letter to gain experience.  That’s it.  Nothing less.  Nothing more. 
But let’s say, for arguments sake, that this person, though junior, likes your book and tries to help.  You may find that they lack the authority to get you represented.  Even if they bring your query letter to the attention of a more senior editor, this person usually dismisses you, and your book, offhand, in favor of an established author. So you lose anyway.
Though, occasionally, you hear of the strange case of an author winning a contract directly from a publisher against all odds, the probability of this happening is slim to none, since most publishers will not even consider a new book unless it comes from a reputed agent. Getting a book deal without an agent hardly ever happens.  It is the stuff of legends.  Usually, what happens is that publishers want to make fast money on a safe bet. So they go with agent represented manuscripts, even if they are horrible. 
Unless publishing houses are desperate for new leads, they will not even consider non-represented manuscripts, despite what they say in their submission guidelines.
Big box publishers, to repeat, rely on literary agents to make wise manuscript choices. Not authors shopping their wares.  This is because publishers generally believe that agents will only pitch a new book to them if it is viable in the marketplace. 
Commercial publishing houses, sadly, rarely consider manuscripts from inexperienced writers.  And if the nature of your work does not synergize with their list.  Forget it.  You have no chance. 
Furthermore, even if your proposal is a good one, it will probably get lost in the clutter,   since traditional publishers receive tons of junk mail,
Penetrating the old boy network of publishing professionals is very hard, since agents and publishers enjoy reciprocal relationships based on a lengthy track record of success.  Because both sides think they know what is sellable in the marketplace, they pass on many great books.   Mine included.  The cold reality is that many publishers will not even consider manuscripts that do not have an agent, since they want to back a book they think will succeed.  To them, manuscripts that have a chance of success have already been vetted by literary agents.  They have passed an initial screening round.  Most publishers, alas, will only ponder manuscripts forwarded to them by literary agents, because they believe that an agent will not jeopardize their reputations by advocating less than impressive books. 
So, if you want to avoid having you query letter go directly to the dreaded slush pilethe final resting place of many novelsI encourage you to get a literary agent. 
Yes, you can win a contract directly from a publisher, without agent representation.  But doing so is the exception, rather than the rule. 
If you think you can do it, by all means, be my guest.  Congratulations if you do.  But if you receive one rejection after another, as most of us do (or, worse yet, no response at all) try hard to get a literary agent, since agent representation helps. 
How to Get a Literary Agent
Query Letter
Gaining and sustaining the interest of a literary agent so they sign a contract with you is easier said than done.  The first step is writing an effective query letter. 
Address your query to the right editor or agent with the right title.  Format your query according to industry standards.  Spell the agencies name correctly and get its address right.  Pitch a great lead.  Tailor your query to the specific agency.  Offer a fresh idea.  Be creative in your presentation.  Tighten your query angle.  Sweeten the pot with photos, graphics, illustrations or renderings: with sidebars, sidelights, and giveaways.  Follow the submission guidelines of the agency exactly.  Ensure that your letter begins with an opening hook, provides supporting details, links your qualifications to the book being pitched, and includes a self-addressed stamped envelope (SASE). 
Book Proposal
Once you have hooked a literary agent with a good query letter, the next step is to send them an outstanding book proposal. 
A book proposal is written for one purpose only, to convince an agent that investing their time and effort in you, and your book, is a wise bet, one that will pay off.  To get an agent, then, you have to persuade them that your book is capable of making real money.  If they do not believe that, expect a polite brush off, at best. 
Here are a few basics of a good book proposal.  A clear book proposal consist of:
·         a cover page, with the name of your book, and a table of contents;
·         a short description of your book (4 sentences);
·         a more detailed synopsis of your book, with a brief chapter-by-chapter summary;
·         a marketing plan, stating how you will sell and brand your book;
·         an author bio, connecting your occupation and life experiences to the nature of your book;
·         an audience section detailing who will buy your book and why;
·         a competition section differentiating your book from the dozens of other books out there on identical, or similar, topics .
·         a description of follow-up books you are writing in a series, so they can make money from you again and again. 
To reiterate, a strong book proposal should have a cover page. The cover page should have:  the name of your book at the top; a by-line with your name; your manuscripts word count; the status of the manuscript (i.e. complete) and a numbered table of contents with the following sections:  I. Description; II. Synopsis; III. Marketing Plan; IV. Author Bio; V. Audience; VI. Competition; VII. Follow-Up Books. 
·         On the cover page include your contact information, such as your office and e-mail address, your telephone numbers (i.e. office phone, cell phone, and home phone), so agents can correspond with you by snail-mail; e-mail; by phone; etc.. 

·         The description section is a succinct three sentence description of your book noting its topic and theme. Generally, it attracts an agent’s immediate attention by noting how your topic is timely, original, and significant (i.e. why anybody would care).   

·         The next section of your book proposal is a more elaborate synopsis of your book which breaks down, in short paragraphs, each major section or chapter.  Agents read this part to correlate the theme of your book to a hot topic extant in the real world.  A good synopsis answers the “so what” question to literary agents.  So what?  Why should I read this? 

·         Then, comes your marketing plan. This section should detail, in bullet form, not only what you have already done to brand your book but what you will do in the future, too. Things to write in this section include participating in professional conferences, preferably as the key-note speaker.  Any book signings you have completed or have scheduled.  References to the URL of your personal author website (if you have one) which is stronger if it has:  high-traffic; a blog with high-quality, viral, posts; an online store with a high click through rate; and an impressive CV.  If you have a Face Book fan page connected to your website with thousands of genuine (not purchased) likes, mention this.  If you have a dedicated twitter account linked to your book, especially one that fans are tweeting about incessantly, mention this. If you have a distinguished career connected to the subject matter of your book talk about it.  If you host a radio show, with many listeners, discussing issues related to your book, tell them this. If you have professional, or social, networks in place that you can use to sell your books, highlight this. If you host a popular pod-cast centered on a relevant topic linked to your book, preferably a forum that can reach thousands of subscribers, let an agent know.  In brief, the marketing section of your book proposal is the most important section to literary agents, since they want to pitch a book that will sell quickly and well.  That’s it.  They only care about you and your book if they think they can make money from both. 

·         Then comes an Author Bio section.  Here is your opportunity to emphasize how your occupation, education, life experiences, and social connections, position you to have written the book(s) you have.  This section should describe why people will listen to you?  Are you an expert in the field?  Do your life experiences qualify you to write about a certain topic?  Why are you credible?  Explain this. 

·         Then comes a competition section emphasizing how your book is different from, or better than, recent books on the same, or a similar topic.  Be careful here.  Emphasize the strengths of your own book, in relation to the marketplace, rather than criticizing the competition. Differentiate your work and convince an agent why it will sell, especially if the topic has already been done, many times over.  If you are in the fortunate position to have written an important book on a topic that is little explored, or underexplored, but also has a large audience, definitely emphasize this. Then pat yourself on the back.  This is rare. If you write a strong competition section that conveys the originality, timeliness, and relevance of your book in relation to what has already been done on the subject, agents and publishers will want to acquire your book.  In short, if your book explores an old topic from a new angle, or pioneers a groundbreaking analysis of a new hot topic, congratulations, you deserve a book deal.  Hope you get one.  If not, go back to the drawing board. Start again.  Maybe, you can get a book deal with your next novel

·         Then comes an Audience section detailing who will read your book and why. The wider the audience the more likely agents and publishers will sign you.  Since publishing is a risky business, a gamble that produces frequent flops, publishers need to be reassured that your book has a chance of success.  (One friendly word of advice:  be realistic when evaluating your audience. Give specific statistics about who will buy your book and why.  Not vague promises.  Typically, literary agents have built in BS detectors.  So, whatever you do, do not jeopardize your credibility with ridiculous claims.  After all, most literary agents only represent books if they think they will do well in the literary marketplace.  If you make sweeping, unrealistic claims, you can do more harm than good by shooting your credibility). 

·         After this section comes a follow-up books section. In this section, outline how other books can flow from, or spin-off of, your proposed book.  Since agents want to pitch introductory novels to publishers with the promise of more books to come, it behooves you to pitch your book to agents as part of a larger narrative, so agents do not view your novel as a one-hit wonder, or a no-hit flop.  The truth is that agents are more likely to represent you to traditional publishers if you are able to deliver popular follow-up books. So, if you have written, are writing, or will write follow-up books, speak-up.  Remember, the first billionaire author, J.K. Rawling, wrote 3 Harry Potter books, in trilogy, before she even approached publishers.  Learn from this woman.

If all this is too abstract for you, and you want to view a sample of a decent book proposal, please visit my personal author website at www.don-quixote-explained.com and click on the book proposal tab.

Marketing Plan
A marketing plan, in short, will tell an agent what you will do to sell your books.  How, put simply, you will attain and maintain readers’ attention. 
A well-conceived marketing plan consists of many things.  A lecture circuit helps.  If you have delivered, or will deliver, speeches in prominent forums. Talks that have established you as an expert.  Mention this.  Also, if you have driven around the country, selling your self-published books, like John Grisham did, speak-up.  Agents love hearing that your book is already on store shelves.  If you are a reporter, a journalist, a regular columnist, a magazine editor, or a writing professional, mention that you have a potential network of colleagues you can call on.  Agents want to know how you plan on getting publicity / reviews for your books.  If you have a popular blog, with a high SEO, that is highly ranked by google algorithms and has an impressive click-through rate as well, broadcast this immediately!  If your blog posts have gone viral, or are commented (not spammed) mention this.  Agents are interested in getting people to talk about your book.  If you are ready to put your money where your mouth is by buying your books tell a publisher this.  If publishers believe that their print-runs will be bought by you, that there is no downside risk for them whatsoever, because you yourself will be their main customer, sure, they will publish your book, since they have nothing to lose and the world to gain.  If you are ready to fulfill consignment orders to book stores from your private supply of books, mention this.  It may help.  If possible, tout positive book sales before you even ask a literary agent asking to represent you.  If you can, they will probably sign you.   
Write Books in a Series

Big name publishers sign multi-year contracts with writers, not just because they have written one great book, however stellar, but because a writer can consistently produce best sellers, at the rate of one book a year:  Follow-up novels that are as good as, perhaps better, than the original.  In other words, big box publishers often form contracts with writers based on them authoring multiple books in fairly rapid succession.  Thus, if you write one book, then another, then the next, and so on, building a larger and larger audience with every publication, just like John Grisham did, eventually, you will be in the enviable position of having publishers approach you to publish your books, not the other way around. 
Meet the Author:
Emre Gurgen, the author of Don Quixote Explained: The Story of an Unconventional Hero, has a Bachelor’s degree in English from Pennsylvania State University. Currently, he lives in Germantown, Maryland, where he is writing a follow-up Don Quixote essay collection and study guide.

Tour Schedule

Tuesday, June 28 - Interviewed at PUYB Virtual Book Club
Wednesday, June 29 - Interviewed at  at I'm Shelf-ish
Thursday, June 30 - Interviewed at Literal Exposure
________
Monday, July 4 - Interviewed at The Review From Here
Tuesday, July 5 - Guest blogging at My Bookish Pleasure
Wednesday, July 6 - Guest blogging at Voodoo Princess
Thursday, July 7 - Guest blogging at The Literary Nook
Friday, July 8 - Guest blogging at All Inclusive Retort
________
Monday, July 11 - Guest blogging at A Title Wave
Tuesday, July 12 - Interviewed at The Writer's Life
Friday, July 15 - Guest blogging at As the Page Turns
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Monday, July 18 - Guest blogging at A Taste of My Mind
Tuesday, July 19 -  Guest blogging at Write and Take Flight
Wednesday, July 20 - Guest blogging at Harmonious Publicity
Thursday, July 21 - Interviewed  at Bent Over Bookwords
Friday, July 22 - Guest blogging at The Dark Phantom
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242

New Humor Book! Cocktails and Mock-Tales by Julianne McLean and Mark Lynch


We're happy to be hosting Julianne McLean and Mark Lynch's new humor book, Cocktails and Mock-Tales!


About the Book:

Title: Cocktales & Mock-Tales
Authors: Julianne McLean & Mark Lynch
Publisher: ASJ Publishing
Pages: 90
Genre: Humor

Cocktails and Mock- Tales is not just about alcoholic beverages. The book is about sensations that tickle your tastebuds and humour that tickles your fancy. It includes non-alcoholic beverages that the whole family can enjoy and even herbal recipes for the adventurous.

Have one extremely tall high ball glass and a giant cocktail shaker at the ready
Ingredients:
Unlimited centilitres of wit and humour
9 cl or 3oz titillating snippets of history and gossip
Add flavours of exotic destinations
A dusting of spice mixed with satire
Several centilitres of high spirits (optional)

Shake with vigour. Garnish with an open mind and your own sense of humour
Now you are ready to truly laugh and savour Cocktails and Mock Tales!
Amaze your friends and family with your knowledge of the origins of international beverages and excite their tastebuds with these exotic sensations.

For More Information

  • Cocktails & Mock-Tales is available at Amazon.
  • Discuss this book at PUYB Virtual Book Club at Goodreads.

Book Excerpt:
Daiquiri

The daiquiri is a family of cocktails of which the primary ingredients are white rum, lime or lemon juice and sugar.

The drink was supposedly invented by American mining engineer Jennings Cox who was in partying and experimenting in Cuba at the time of the Spanish American War. Daiquiri is also the name of a beach and an iron ore mine near Santiago in Cuba.

Serves 1

6cl white rum

3cl lime juice

2cl sugar syrup

Sugar on the rim of the glass.

Pour the ingredients into a cocktail shaker with ice cubes. Shake well and strain into a chilled cocktail glass.

Strawberry Daiquiri Mock-tail

Serves1

2 large strawberries

1⁄4 cup of white sugar

1 tablespoon of lemon juice

¾ cup of chilled lemon lime soda

4 ice cubes

In a blender, mix the strawberries, sugar, lemon juice and lime soda. Add the ice and blend until smooth. Pour into a chilled Tom Collins glass. Garnish with a slice of lime or lemon


About the Authors

Julianne has created & organized targeted national launches, press coverage, television appearances, publicity events and community service affiliations for a varied range of entities including: “Masai Barefoot Technology” – therapeutic footwear company; award-winning cartoonist Mark Lynch’s book – “How Green is My Planet” with forewords from Spike Milligan and David Suzuki; best-selling recipe book, “Barbies for Blokes” with recipes from celebrities such as Peter Brock, Jeff Fenech and Guy Leech and the sequel “More Barbies for Blokes” (These later publications were co-authored by Julianne); John Gill, eight times World Martial Arts Champion and Hornsby Council’s sports complexes that won the national award for “Best Swim School Promotion”. Julianne has just produced directed and written a DVD for Holland America Cruise lines based on their exercise programs and is publishing her new book “Cocktails and Mock Tales”.
Visit Julianne McLean on Facebook!


Mark Lynch our Australian cartoonist, describes himself as being born “sometime in the middle of the last century.”

After doing a variety of Jobs, Mark became a QANTAS Flight attendant and he quips that “the next nineteen years of his life resembled an exotic beer commercial set in a variety of world- wide locations”.

Mark was editorial cartoonist for the leading publication, “The Australian” newspaper. His work has been enjoyed in more publications than you could count, ranging from Australian dailies, even ‘Le News Switzerland”. Mark’s cartoons appear in a variety of forms and diversity world-wide including video screens in the Berlin and Munich subway system where they are seen by 1.5 million people a day.

Mark is the recipient of 48 international and Australian cartoon awards!

Mark lives in Sydney with his lovely wife, Jenny, and two sons and to learn more about Mark and see further cartoons, visit www.cartoons-a-plenty.com

 
http://www.pumpupyourbook.com

Monday, July 18, 2016

Book Spotlight: Floor 21 by Jason Luthor

We're happy to be hosting Jason Luthor's FLOOR 21 blog tour today!  Please leave a comment to let him know you stopped by!


About the Book:

The last of humanity is trapped at the top of an isolated apartment tower with no memory of how they got there or why. All travel beneath Floor 21 is forbidden, and nobody can ever recall seeing the ground floor. Beneath Floor 21, a sickness known as the Creep infests that halls of the Tower. A biological mass that grows stronger in reaction to people’s fear and anger, the Creep prey’s on people by causing them to hallucinate until they’re in a state of panicking, before finally growing strong enough to lash out and consume them. Only a small team known as Scavengers are allowed to go beneath Floor 21 to pillage the lower levels in search of food and supplies.

Jackie is a brilliant young girl that lives far above the infection and who rarely has to worry about facing any harm. However, her intense curiosity drives her to investigate the bottom floors and the Creep. To deal with her own anxiety and insecurities, she documents her experiences on a personal recorder as she explores the secrets of the Tower. During the course of her investigation, Jackie will find herself at odds with Tower Authority, which safeguards what remains of humanity, as she attempts to determine what created the Creep, how humanity became trapped at the top of the Tower, and whether anyone knows if escape is even possible.

For More Information

  • Floor 21 is available at Amazon.
  • Discuss this book at PUYB Virtual Book Club at Goodreads.


Book Excerpt

When you stop and think about it, I mean, our lives don’t make sense. We couldn’t have always lived up here, right? It gets me pretty antsy thinking about it because, I mean, this is a tower, so we had to have come up the stairs at some point. Didn’t we?
I don’t know, and thinking about it gets me frustrated. When I’m in this kind of mood, I go to the rooftop and look out. You can actually see other towers rising up in the distance. Some aren’t even that far from ours. I stare at them, and I’m just like . . . is anybody over there? Is anybody looking back at me? Does anybody know or remember we’re trapped in this place?
Or are we all that’s left?
After I’ve gotten myself sufficiently depressed, I’ll stare over the edge of the roof, trying to see how far below I can look. Thing is, it’s impossible to see much. This tower just vanishes into the Darkness. Nobody, and I mean nobody, even knows why. It’s just blackness down there.
Oh, about Floor 12. Yeah, that’s where the Creep really starts. The Creep? It’s this . . . gunk. Super-disgusting stuff that you shouldn’t touch because it makes you feel weird, and the lower down the Tower you go, the more you see it. It starts to cover the walls, and it’s kinda gross. It’s really slick, like saliva, and it looks all muscle-y. Almost alive. Good thing you don’t have to worry about it when you’re higher than Floor 11. Still, I wonder what it is. We all do. I know that when you touch it, you can start hallucinating. I did once. Well, okay, I’m lying. I’ve touched it a few times when I’ve been on the lower levels, which is why my parents made the rule that I couldn’t head down there in the first place. I mean, I don’t pay attention to them, but I get why they don’t want me going that far below into the Tower. The Creep makes you see . . . things. Shadowy things. Sometimes they’re right in front of you, but most of the time, they’re in the corner of your eye. They say that by Floor 21, you don’t even have to touch the Creep to hallucinate, which is a total trip. Must suck to live down there.

About the Author


Jason Luthor has spent a long life writing for sports outlets, media companies and universities. His earliest writing years came during his coverage of the San Antonio Spurs as an affiliate with the Spurs Report and its media partner, WOAI Radio. He would later enjoy a moderate relationship with Blizzard Entertainment, writing lore and stories for potential use in future games. At the academic level he has spent several years pursuing a PhD in American History at the University of Houston, with a special emphasis on Native American history.

His inspirations include some of the obvious; The Lord of the Rings and Chronciles of Narnia are some of the most cited fantasy series in history. However, his favorite reads include the Earthsea Cycle, the Chronicles of Prydain, as well as science fiction hits such as Starship Troopers and Do Androids dream of Electric Sheep?
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Friday, July 15, 2016

Book Feature: The Bomb That Never Was by J.R. Shaw

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Inside the Book:

The Bomb That Never Was
Title: The Bomb That Never Was
Author: J.R. Shaw
Publisher: iUniverse
Genre: Alternative History
Format: Ebook/Paperback
Praise for The Bomb That Never Was “Hitler has the bomb, and it's headed for the USA. This meticulously researched historical novel will have you asking, ‘What if?' This is an intelligent, fast-paced page-turner that will make you forget that you already know how it all turns out. Provocative, informative, and entertaining—I couldn't put it down.” —Joseph P. DeSario, author of Limbo and Sanctuary and coauthor of Crusade: Undercover Against the Mafia & KGB “Authoritative and credible in its attention to detail, The Bomb That Never Was captures the spirit and temper of the WWII years and raises some deep philosophical questions about loyalty, treason, and commitment to country. A page-turner … tough to put down … a story well told.” —Robert L. Aaron, journalist and public relations executive
Meet the Author:
J. R. Shaw is a pseudonym for a person who likes privacy, preferring to remain in the shadows. If you're interested in reading the next book, please turn to the back of this book and enjoy reading an excerpt from The Pieces. The Pieces will be out in 2016.

Wednesday, July 13, 2016

Cover Reveal: Lord of the Mountains by Sabrina Jarema

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Inside the Book:

LordOfTheMountains_finalcover
Title: Lord of the Mountains
Author: Sabrina Jarema
Release Date: March 14, 2017
Publisher: Lyrical Press
Genre: Historical Romance
Format: Ebook

Amid the glittering fjords and majestic mountains of Norway, this stunning series delves into the loves, battles, and dreams of the Viking clans—powerful men and women who believed in the call of the flesh as well as the soul…

It was said that the man who could look into Silvi Ivarsdottir’s eyes would be meant for her. Powerful jarl Magnus Sigrundson knows he is that man, and that Silvi’s dowry can give him the ships, swords, and silver he needs for his trading empire. Yet beautiful Silvi’s dream is not to be a wife, but a Priestess of the gods for the great temple at Uppsala. Who dares interfere with such passion? The answer lies in Silvi herself, in the way her body awakens to Magnus’ touch, in the way she inspires a reverence he didn’t know he possessed—and in the battles she takes on when she journeys to his mountain home of Thorsfjell.

 But soon a dangerous, deceitful enemy threatens to shatter. Now they face another quest: can they find each other again—and dare live and love in each other’s worlds?

  amazon goodreads

Meet the Author:

I live just north of Ocala, Florida, the Horse Capitol of the World. I have a herd of fat, lazy Arabians (and the occasional Thoroughbred) on 40 beautiful acres. One of the Arabians actually works for a living— Ivory Shaddara ++++//, AKA “Dumpling”. We show at Arabian shows all over the eastern US at the Regional and National level. I also have a bunch of spoiled German Shepherds which I enjoy showing.  We’re joined by a variety of turtles, tortoises and some very obnoxious cockatiels.

To avoid farm work as much as possible, I keep busy with other interests: writing Romance novels, illustrating, playing the harp, keyboard and guitar, creating jewelry, and building Victorian dollhouses. I studied Iaido, the art of Japanese swordsmanship, for many years and  I also love beadwork, needlework, photography, cake decorating and amateur astronomy. There are too many possibilities in this world to do only one or two things in life.

I have been a professional fantasy illustrator and have won many awards for my work. I am the Secretary of the Ocala Arabian Horse Association, and am on the Board of Directors of the White German Shepherd Dog Club of America. I am a member of the Romance Writers of America and the Tampa Area Romance Authors.

But even with all this, at the end of the day I still find the time to just sit on my Victorian porch, surrounded by my dogs, watching the horses graze under the moss-covered oaks. And as I greet my beloved stars, I dream of the songs, stories and visions the coming night will bring…

You can visit her website at http://sabrinajarema.com


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Monday, July 11, 2016

Raven's Peak Book Blast - Win Copy of Raven's Peak!


We're thrilled to be hosting Lincoln Cole and his RAVEN'S PEAK Book Blast today! Fill out the form at the bottom and leave a comment on this blog post to win a FREE autographed copy of his book!  Good luck!

Title: Raven’s Peak
Author: Lincoln Cole
Publisher: Kindle Press
Pages: 276
Genre: Horror/Paranormal Thriller/Urban Fantasy

A quiet little mountain town is hiding a big problem. When the townsfolk of Raven's Peak start acting crazy, Abigail Dressler is called upon to discover the root of the evil affecting people. She uncovers a demonic threat unlike any she's ever faced and finds herself in a fight just to stay alive.
Abigail rescues Haatim Arison from a terrifying fate and discovers that he has a family legacy in the supernatural that he knows nothing about. Now she's forced to protect him, which is easy, but also to trust him if she wants to save the townsfolk of Raven's Peak. Trust, however, is something hard to have for someone who grew up living on the knife's edge of danger.
Can they discover the cause of the town's insanity and put a stop to it before it is too late?

Raven’s Peak is available at Amazon.

Book Excerpt:
“Reverend, you have a visitor.”
He couldn’t remember when he fell in love with the pain. When agony first turned to pleasure, and then to joy. Of course, it hadn’t always been like this. He remembered screaming all those years ago when first they put him in this cell; those memories were vague, though, like reflections in a dusty mirror.
“Open D4.”
A buzz as the door slid open, inconsequential. The aching need was what drove him in this moment, and nothing else mattered. It was a primal desire: a longing for the tingly rush of adrenaline each time the lash licked his flesh. The blood dripping down his parched skin fulfilled him like biting into a juicy strawberry on a warm summer’s day. 
“Some woman. Says she needs to speak with you immediately. She says her name is Frieda.”
A pause, the lash hovering in the air like a poised snake. The Reverend remembered that name, found it dancing in the recesses of his mind. He tried to pull himself back from the ritual, back to reality, but it was an uphill slog through knee-deep mud to reclaim those memories.
It was always difficult to focus when he was in the midst of his cleansing. All he managed to cling to was the name. Frieda. It was the name of an angel, he knew. . . or perhaps a devil.
One and the same when all was said and done.
She belonged to a past life, only the whispers of which he could recall. The ritual reclaimed him, embraced him with its fiery need. His memories were nothing compared to the whip in his hand, its nine tails gracing his flesh.
The lash struck down on his left shoulder blade, scattering droplets of blood against the wall behind him. Those droplets would stain the granite for months, he knew, before finally fading away. He clenched his teeth in a feral grin as the whip landed with a sickening, wet slapping sound.
“Jesus,” a new voice whispered from the doorway. “Does he always do that?”
“Every morning.”
“You’ll cuff him?”
“Why? Are you scared?”
The Reverend raised the lash into the air, poised for another strike.
“Just…man, you said he was crazy…but this…”
The lash came down, lapping at his back and the tender muscles hidden there. He let out a groan of mixed agony and pleasure.
These men were meaningless, their voices only echoes amid the rest, an endless drone. He wanted them to leave him alone with his ritual. They weren’t worth his time.
“I think we can spare the handcuffs this time; the last guy who tried spent a month in the hospital.”
“Regulation says we have to.”
“Then you do it.”
The guards fell silent. The cat-o’-nine-tails, his friend, his love, became the only sound in the roughhewn cell, echoing off the granite walls. He took a rasping breath, blew it out, and cracked the lash again. More blood. More agony. More pleasure.
“I don’t think we need to cuff him,” the second guard decided.
“Good idea. Besides, the Reverend isn’t going to cause us any trouble. He only hurts himself. Right, Reverend?”
The air tasted of copper, sickly sweet. He wished he could see his back and the scars, but there were no mirrors in his cell. They removed the only one he had when he broke shards off to slice into his arms and legs. They were afraid he would kill himself.
How ironic was that?
“Right, Reverend?”
Mirrors were dangerous things, he remembered from that past life. They called the other side, the darker side. An imperfect reflection stared back, threatening to steal pieces of the soul away forever.
“Reverend? Can you hear me?”
The guard reached out to tap the Reverend on the shoulder. Just a tap, no danger at all, but his hand never even came close. Honed reflexes reacted before anyone could possibly understand what was happening.
Suddenly the Reverend was standing. He hovered above the guard who was down on his knees. The man let out a sharp cry, his left shoulder twisted up at an uncomfortable angle by the Reverend’s iron grip.
The lash hung in the air, ready to strike at its new prey.
The Reverend looked curiously at the man, seeing him for the first time. He recognized him as one of the first guardsmen he’d ever spoken with when placed in this cell. A nice European chap with a wife and two young children. A little overweight and balding, but well-intentioned.
Most of him didn’t want to hurt this man, but there was a part—a hungry, needful part—that did. That part wanted to hurt this man in ways neither of them could even imagine. One twist would snap his arm. Two would shatter the bone; the sound as it snapped would be . . . 
A symphony rivaling Tchaikovsky.
The second guard—the younger one that smelled of fear—stumbled back, struggling to draw his gun.
“No! No, don’t!”
That from the first, on his knees as if praying. The Reverend wondered if he prayed at night with his family before heading to bed. Doubtless, he prayed that he would make it home safely from work and that one of the inmates wouldn’t rip his throat out or gouge out his eyes. Right now, he was waving his free hand at his partner to get his attention, to stop him.
The younger guard finally worked the gun free and pointed it at the Reverend. His hands were shaking as he said, “Let him go!”
“Don’t shoot, Ed!”
“Let him go!”
The older guard, pleading this time: “Don’t piss him off!”
The look that crossed his young partner’s face in that moment was precious: primal fear. It was an expression the Reverend had seen many times in his life, and he understood the thoughts going through the man’s mind: he couldn’t imagine how he might die in this cell, but he believed he could. That belief stemmed from something deeper than what his eyes could see. A terror so profound it beggared reality.
An immutable silence hung in the air. Both guards twitched and shifted, one in pain and the other in terror. The Reverend was immovable, a statue in his sanctuary, eyes boring into the man’s soul.
“Don’t shoot,” the guard on his knees murmured. “You’ll miss, and we’ll be dead.”
“I have a clear shot. I can’t miss.”
This time, the response was weaker. “We’ll still be dead.”
A hesitation. The guard lowered his gun in confused fear, pointing it at the floor. The Reverend curled his lips and released, freeing the kneeling guard.
The man rubbed his shoulder and climbed shakily to his feet. He backed away from the Reverend and stood beside the other, red-faced and panting.
“I heard you,” the Reverend said. The words were hard to come by; he’d rarely spoken these last five years. 
“I’m sorry, Reverend,” the guard replied meekly. “My mistake.”
“Bring me to Frieda,” he whispered.
“You don’t—” the younger guard began. A sharp look from his companion silenced him.
“Right away, sir.”
“Steve, we should cuff…”
Steve ignored him, turning and stepping outside the cell. The Reverend looked longingly at the lash in his hand before dropping it onto his hard bed. His cultivated pain had faded to a dull ache. He would need to begin anew when he returned, restart the cleansing.
There was always more to cleanse.
They traveled through the black-site prison deep below the earth’s surface, past neglected cells and through rough cut stone. A few of the rusty cages held prisoners, but most stood empty and silent. These prisoners were relics of a forgotten time, most of whom couldn’t even remember the misdeed that had brought them here.
The Reverend remembered his misdeeds. Every day he thought of the pain and terror he had inflicted, and every day he prayed it would wash away.
They were deep within the earth, but not enough to benefit from the world’s core heat. It was kept unnaturally cold as well to keep the prisoners docile. That meant there were only a few lights and frigid temperatures. Last winter he thought he might lose a finger to frostbite. He’d cherished the idea, but it wasn’t to be. He had looked forward to cutting it off.
There were only a handful of guards in this section of the prison, maybe one every twenty meters. The actual security system relied on a single exit shaft as the only means of escape. Sure, he could fight his way free, but locking the elevator meant he would never reach the surface.
And pumping out the oxygen meant the situation would be contained.
The Council didn’t want to bring civilians in on the secretive depths of their hellhole prison. The fewer guards they needed to hire, the fewer people knew of their existence, and any guards who were brought in were fed half-truths and lies about their true purpose. How many such men and women, he’d always wondered, knew who he was or why he was here?
Probably none. That was for the best. If they knew, they never would have been able to do their jobs.
As they walked, the Reverend felt the ritual wash away and he became himself once more. Just a man getting on in years: broken, pathetic, and alone as he paid for his mistakes.
Finally, they arrived at the entrance of the prison: an enclosed set of rooms cut into the stone walls backing up to a shaft. A solitary elevator bridged the prison to the world above, guarded by six men, but that wasn’t where they took him.
They guided him to one of the side rooms, opening the door but waiting outside. Inside were a plain brown table and one-way mirror, similar to a police station, but nothing else.
A woman sat at the table facing away from the door. She had brown hair and a white business suit with matching heels. Very pristine; Frieda was always so well-dressed.
“Here we are,” the guard said. The Reverend didn’t acknowledge the man, but he did walk into the chamber. He strode past the table and sat in the chair facing Frieda.
He studied her: she had deep blue eyes and a mole on her left cheek. She looked older, and he couldn’t remember the last time she’d come to visit him.
Probably not since the day she helped lock him in that cell.
“Close the door,” Frieda said to the guards while still facing the Reverend.
“But ma’am, we are supposed to—”
“Close the door,” she reiterated. Her tone was exactly the same, but an undercurrent was there. Hers was a powerful presence, the type normal people obeyed instinctually. She was always in charge, no matter the situation.
“We will be right out here,” Steve replied finally, pulling the heavy metal door closed.
Silence enveloped the room, a humming emptiness.
He stared at her, and she stared at him. Seconds slipped past.
He wondered how she saw him. What must he look like today? His hair and beard must be shaggy and unkempt with strands of gray mixed into the black. He imagined his face, but with eyes that were sunken, skin that was pale and leathery. Doubtless, he looked thinner, almost emaciated.
He was also covered in blood, the smell of which would be overpowering. It disgusted him; he hated how his daily ritual left him, battering his body to maintain control, yet he answered its call without question.
“Do you remember what you told me the first time we met?” the Reverend asked finally, facing Frieda again.
“We need your help,” Frieda said, ignoring his question. “You’ve been here for a long time, and things have been getting worse.”
“You quoted Nietzsche, that first meeting. I thought it was pessimistic and rhetorical,” he continued.
“Crime is getting worse. The world is getting darker and…”
“I thought you were talking about something that might happen to someone else but never to me. I had no idea just how spot on you were: that you were prophesizing my future,” he spoke. “Do you remember your exact words?”
“We need your help,” Frieda finished. Then she added softer: “need your help.”
He didn’t respond. Instead, he said: “Do you remember?”
She sighed. “I do.”
“Repeat it for me.”
She frowned. “When we first met, I said to you: ‘Whoever fights monsters should see to it that in the process he does not become a monster.’”
He nodded. “You were right. Now I am a monster.”
“You aren’t a monster,” she whispered.
“No,” he said. “I am your monster.”
“Reverend…”
Rage exploded through his body, and he felt every muscle tense. “That is not my name!” he roared, slamming his fist on the table. It made a loud crashing sound, shredding the silence, and the wood nearly folded beneath the impact.
Frieda slid her chair back in an instant, falling into a fighting stance. One hand gripped the cross hanging around her neck, and the other slid into her vest pocket. She wore an expression he could barely recognize, something he’d never seen on her face before.
Fear.
She was afraid of him. The realization stung, and more than a little bit.
The Reverend didn’t move from his seat, but he could still feel heat coursing through his veins. He forced his pulse to slow, his emotions to subside. He loved the feeling of rage but was terrified of what would happen if he gave into it; if he embraced it.
He glanced at the hand in her pocket and realized what weapon she had chosen to defend herself. A pang shot through his chest.
“Would it work?” he asked.
She didn’t answer, but a minute trace of shame crossed her face. He stood slowly and walked around the table, reaching a hand toward her. To her credit, she barely flinched as he touched her. He gently pulled her fist out of the pocket and opened it. In her grip was a small vial filled with water.
Will it work?” he asked.
“Arthur…” she breathed.
The name brought a flood of memories, furrowing his brow. A little girl playing in a field, picking blueberries and laughing. A wife with auburn hair who watched him with love and longing as he played with their daughter. He quashed them; he feared the pain the memories would bring.
That was a pain he did not cherish.
“I need to know,” he whispered.
He slid the vial from her hand and popped the top off. She watched in resignation as he held up his right arm and poured a few droplets onto his exposed skin. It tingled where it touched, little more than a tickle, and he felt his skin turn hot.
But it didn’t burn.
He let out the shuddering breath he hadn’t realized he was holding.
“Thank God,” Frieda whispered.
“I’m not sure She deserves it,” Arthur replied.
“We need your help,” Frieda said again. When he looked at her face once more, he saw moisture in her eyes. He couldn’t tell if it was from relief that the blessed water didn’t work, or sadness that it almost had.
“How can I possibly help?” he asked, gesturing at his body helplessly with his arms. “You see what I am. What I’ve become.”
“I know what you were.”
“What I am no longer,” he corrected. “I was ignorant and foolish. I can never be that man again.”
“Three girls are missing,” she said.
“Three girls are always missing,” he said, “and countless more.”
“But not like these,” she said. “These are ours.”
He was quiet for a moment. “Rescues?”
She nodded. “Two showed potential. All three were being fostered by the Greathouse family.”
He remembered Charles Greathouse, an old and idealistic man who just wanted to help. “Of course, you went to Charles,” Arthur said. “He took care of your little witches until they were ready to become soldiers.”
“He volunteered.”
“And now he’s dead,” Arthur said. Frieda didn’t correct him. “Who took the girls?”
“We don’t know. But there’s more. It killed three of ours.”
“Hunters?”
“Yes.”
“Who?”
“Michael and Rachael Felton.”
“And the third?”
“Abigail.”
He cursed. “You know she wasn’t ready. Not for this.”
“You’ve been here for five years,” Frieda said. “She grew up.”
“She’s still a child.”
“She wasn’t anymore.”
“She’s my child.”
Frieda hesitated, frowning. He knew as well as she did what had happened to put him in this prison and what part Abigail had played in it. If Abigail hadn’t stopped him…
“We didn’t expect . . .” Frieda said finally, sliding away from the minefield in the conversation.
“You never do.”
“I’m sorry,” Frieda said. “I know you were close.”
The Reverend—Arthur—had trained Abigail. Raised her from a child after rescuing her from a cult many years earlier. It was after his own child had been murdered, and he had needed a reason to go on with his life. His faith was wavering, and she had become his salvation. They were more than close. They were family.
And now she was dead.
“What took them? Was it the Ninth Circle?”
“I don’t think so,” she said. “Our informants haven’t heard anything.”
“A demon?”
“Probably several.”
“Where did it take them?” he asked.
“We don’t know.”
“What is it going to do with them?”
This time, she didn’t answer. She didn’t need to.
“So you want me to clean up your mess?”
“It killed three of our best,” Frieda said. “I don’t…I don’t know what else to do.”
“What does the Council want you to do?”
“Wait and see.”
“And you disagree?”
“I’m afraid that it’ll be too late by the time the Council decides to act.”
“You have others you could send.”
“Not that can handle something like this,” she said.
“You mean none that you could send without the Council finding out and reprimanding you?”
“You were always the best, Arthur.”
“Now I am in prison.”
“You are here voluntarily,” she said. “I’ve taken care of everything. There is a car waiting topside and a jet idling. So, will you help?”
He was silent for a moment, thinking. “I’m not that man anymore.”
“I trust you.”
“You shouldn’t.”
“I do.”
“What happens if I say ‘no’?”
“I don’t know,” Frieda said, shaking her head. “You are my last hope.”
“What happens,” he began, a lump in his throat, “when I don’t come back? What happens when I become the new threat and you have no one else to send?”
Frieda wouldn’t even look him in the eyes.
“When that day comes,” she said softly, staring at the table, “I’ll have an answer to a question I’ve wondered about for a long time.”
“What question is that?”
She looked up at him. “What is my faith worth?”


About the Author



Lincoln Cole is a Columbus-based author who enjoys traveling and has visited many different parts of the world, including Australia and Cambodia, but always returns home to his pugamonster and wife. His love for writing was kindled at an early age through the works of Isaac Asimov and Stephen King and he enjoys telling stories to anyone who will listen.
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Giveaway

Lincoln Cole is giving away an autographed copy of RAVEN’S PEAK!!

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  • By entering the giveaway, you are confirming you are at least 18 years old.
  • One winner will be chosen via Rafflecopter to receive one autographed copy of RAVEN’S PEAK
  • This giveaway ends midnight July 11.
  • Winner will be contacted via email on July 12.
  • Winner has 48 hours to reply.
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